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I started painting without a specific reason. I was mainly interested in drawing and working on the relationship between thought and representation, trying to solve the problems of formal architecture on the canvas. Then I began to feel the need to go further: the readings of Jiddu Krishnamurti and the passion for Zen cultures pushed me to look for a more totalizing expression in connection with the existential experience. Hence, I started working on this subject with an expressive idea of \u200b\u200bsculptural type. I created borders on flat surfaces on which I laid out pigmented lime surfaces as if it were a direct transference of my deepest feelings, trying to control their intensity, a sort of awareness of the self in the artistic act. After this period of pure meditation I began to try to understand what to really do, and a phase of conscious experimentation ensued, sustained by the need to find a means that could convey my creativity and share it with other humans more concretely. Hence I began to look for a broader means of expression, which I found in installations and their visceral relationship with the space, and in videos, approached in a performative way and experienced in the first person.<\/p>\n
My work is the product of a philosophical reflection upon human beings and their controversial approach to their own existence. I make use of whatever medium I see suitable to give substance to my ideas, without setting limits to myself; for this reason, my experiments with different materials or techniques begin and end without any rational continuity. I am interested in conveying a message of pure and unadulterated reflection, distancing myself from sterile provocations and loud denunciations, as I concentrate my efforts on instilling awareness of different aspects of present reality, which I see as a conglomerate of tensions and contradictions between the human ego and its existential evolution.<\/p>\n
Much of my research springs from my interest in the quantum discoveries on ENTANGLEMENT and the transmission of data at the vibrational frequency level. When I work I always try to convey the totality of existence I am experiencing, hoping to imprint my essence in the vibration of what I do.<\/p>\n
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I’m trying to carry out a project to propose my videos in a digital dynamic, which allows users to interact with my expressiveness in the most intimate way possible. The project is called Hertz but is still under development. I am looking for a professional support able to help me in the development of a performance that proposes the works in a context of tension between real and digital.<\/p>\n","protected":false},"excerpt":{"rendered":"
I started painting without a specific reason. I was mainly interested in drawing and working on the relationship between thought and representation, trying to solve the problems of formal architecture on the canvas. Then I began to feel the need to go further: the readings of Jiddu Krishnamurti and the passion for Zen cultures […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-1494","page","type-page","status-publish","hentry"],"yoast_head":"\n